10 / 10
➤ "… a level rarely found in Black and Death Metal ... epic, solemn, wonderful ... can really show off its power ... great!"
(Time For Metal)
9,5 / 10
➤ "Death lives! Melody, aggression, heaviness, and varied song structures: 'Thoughts On Life … And Death' is an album that will surely rank among the top ten Death Metal albums of 2025."
(Sonic Realms)
9 / 10
➤ "Highlight … strong songwriting throughout the entire album … each song is a journey from beginning to end that covers quite a bit of ground … while the first half goes for a slightly more direct and bludgeoning approach, the second half is where CEMETERY really lets their progressive side shine …"
(Metal Trenches)
9 / 10
➤ "From start to finish, it's a blast, a feast for the ears... a revival couldn't be better crowned. A Death Metal gem that should not be missed."
(Hellfire)
9 / 10
➤ "Insane, uncompromising consistency ... sounds like nothing but Death Metal at all times, but there is so much more beneath the surface ... interesting licks and elaborate motifs... insanely nimble, wild, yet imaginative ... great compositional artistry that meaningfully blends every single element in the Bavarians' sound, which was probably preceded by an enormous development process."
(Metal DE)
4 / 5
➤ "… a captivating journey into the depths of Death Metal ... mature sound ... relentless brutality with atmospheric elements ... technical virtuosity and raw emotional energy ... balance between brutality and atmosphere ... Dani Zizek's vocals are a highlight, as his throaty growls perfectly complement the heavy, riff-laden compositions …"
(Metal Underground AT)
88 / 100
➤ "Musically diverse … explores aggressive Death Metal, progressive experimentation, and crushing doom … showcases instrumental prowess, while the gripping narrative binds everything into a compelling experience … CEMETERY’s comeback feels both nostalgic and boldly innovative, proving they remain masters of their craft …"
(Chromium Sun)
8,5 / 10
➤ "... mixture of old-school Death Metal and atmospheric nuances that harmonise with progressive Doom ... definition and execution are assured ... a work with which they are making a name for themselves in the extreme Metal scene ..."
(Cultura Em Peso)
8,5 / 10
➤ "… very high standard and shines with many original approaches ... if they had stayed on the ball, they would certainly have achieved headliner status at many extreme Metal festivals …"
(Powermetal DE)
8,5 / 10
➤ "… balances aggression and atmosphere while keeping the storytelling central … drawn to concept-driven Extreme Metal, it offers a grim and immersive journey … a brilliant combination … leaving me to wonder why such bands remain unsigned …"
(Heavy Metal Darkness)
8,2 / 10
➤ "… a good Death Metal album that doesn't follow the pattern of other bands and offers repeated insights into the band's personality throughout its 49 minutes, something that is very hard to find in Death Metal these days …"
(Metallerium)
8 / 10
➤ "If you're into the later albums by Death and Pestilence or the early works by Atheist and Cynic, you'll be in tears of joy here ... everything is rounded off by a clean and fat production that really packs a punch without sounding too modern or sterile ... it's unbelievable that this monster was released without a label behind it!"
(Crossfire)
8 / 10
➤ "Dieses Konzeptalbum hat es komplett in sich … Death-Metal-Killer wie 'Among The Dead' oder 'Lock The Doors To Your Mind' gehen aggressiv, brutal zur Sache und lassen ebensowenig Melodien vermissen … passagenweise auch von atmosphärischem Tiefgang ausgefüllt … mit durchschlagender Wirkung!"
(FFM-Rock)
8 / 10
➤ "… highly varied album full of great riffs, captivating melodies, and clever songwriting ... it can hold its own against international competition ... if you often find melodic Death Metal lacking in heaviness and punch, here's an example that delivers exactly that and leaves little to be desired ..."
(Bleeding4Metal)
8 / 10
➤ "... CEMETERY as we love them, technically mature yet full of hatred ... blending old-school Death, sombre Black Metal, and progressively intricate structures into a style that suits them well ... not a pleasant album, it's a punch in the gut ... merciless, uncompromising ..."
(Saitenkult)
7,9 / 10
➤ "… convincing song material ... very well done ... commands respect ... the sound is stringently straightforward and offers enough space for the instruments ... whether it's delicate guitar harmonies, solos, or attention-grabbing bass lines, they pull out all the stops to offer a cohesive listening experience …"
(Zephyr's Odem)
7 / 10
➤ "... a powerful album that fans of the genre should definitely listen to ... it impresses with just the right amount of underground heaviness, delivers a solid dose of guitar and drum power, and the vocals have the necessary attitude to thrill the Metal underground - CEMETERY delivers across the board here."
(Obliveon)
3,5 / 5
➤ "… a compelling Death Metal album with an old school flavor akin to bands like Cynic and Atheist … in terms of musicianship this is a very strong performance … powerful guitars that really capture the old school flavor of the music quite nicely … there is a lot to like on 'Thoughts On Life… And Death' …"
(Heavy Music HQ)
➤ "… an intense, dark and at the same time detailed work between old school Death, Prog and Doom ... brutal riffs, playful structures, furious depth ... an uncompromising statement for real craftsmanship in extreme Metal ... sophisticated, authentic, apocalyptic …"
(Radio Diabolus)
➤ "The old school returns with progressive highlights and a soul-satisfying double act. The combination of Death Metal and more melodic elements is worthy of mention. "
(Nada Hay Bajo El Sol)
➤ "… an ambitious 50-minute concept album … the music is brutal and raw, but they also add some progressive and Black Metal elements here and there, and succeed to get their own sound. They seem to know what they are doing …"
(Hard Rock Info)
➤ "… nine strong tracks … recommended for anyone with a penchant for old school Death Metal … a delightful mix … with the addition of something dark and gloomy … certain progressive elements … plenty of raw, unadulterated energy … all put together in a sophisticated manner …"
(Rancor Metalzine)
➤ "… promises to get under your skin … dark aesthetic … melancholy, distortion, and existential depth … each track is a relentless reflection of the fragility, inner chaos, and hidden beauty between life and death … CEMETERY not only marks its comeback, but also reaffirms its place in the scene as alchemists of pain and dark poetry …"
(Rockodromo Mx)
➤ "CEMETERY's musical approach fits perfectly into the early 90s … idiosyncratic style of Death Metal … in a line-up with Death, Pestilence, Cynic, and Atheist … the obvious craftsmanship of the musicians involved never detracts from the listenability … very well constructed, and I also love the dark atmosphere that surrounds this music … a very pleasant surprise …"
(Wings Of Death)
➤ "It's not often we share a band twice in ten days but this quality of Death Metal deserves shouting about very often and very loudly …"
(Metallum Sub Terra)
➤ "CEMETERY are masters of their craft, capable of delivering full-speed attacks while also sprinkling in melancholic Doom parts. The concept album about the rise of a totalitarian regime and the downfall of the individual is very atmospheric and quite elaborate in its digipak presentation with a large lyric sheet."
(Totentanz)
➤ "... a multi-layered album ... peppered with great moments …"
(Metal Inside)
➤ "… with the plus of what I call infinite guitar riffing … an album whose message extrapolates Metal music and Metal’s iconography …"
(Metal Addicts)
Action: | CEMETERY |
Title: | Thoughts On Life... And Death |
Base: | Schongau • Germany |
Style: | Old School Death Metal |
Genre: | Death Metal, Progressive Death Metal |
FFO: | Death, Pestilence, early Opeth |
Type: | Full-length |
Format: | CD + Digital |
Label: | Independent |
Distro: | RecordJet |
Release: | Aug. 08, 2025 |
The thrilling story is told from the point of view of a protagonist. Let’s just call him "Jim" and as is usual for a concept album, some musical elements are repeated in different variations.
"Among The Dead", a classic old school Death Metal tune in which Jim perceives a creeping change in society.
"Grief, Anger and Despair": The judicial system judges according to political guidelines. Despair spreads. Accompanied by crazy drumming and string work at the highest level. In the band’s opinion, the most aggressive song on the album.
"Physical Fear". Do you know the feeling of feeling fear as "materialized"? Jim finds out when he is arrested with many others in a deadly street revolt. Musically packed in a sluggish stomper at the beginning, with a sprawling instrumental part in the middle.
"Nothingness" introduces the second part of the album as a short, classically tinged intermezzo. From here it becomes "different". More willing to experiment.
"Lock The Doors To Your Mind": Jim, now imprisoned, doubts his sanity and what has happened. This song contains all the styles that distinguish CEMETERY and is considered the band’s new calling card, so to speak.
It continues with "Believe". Here, Jim is kindly but firmly told in an interrogation that it is time for him to give up his individualism and subordinate himself to the official "truth". Musically ultra fast at the beginning, the piece transitions into a very quiet part to take a breath for what follows.
This is followed by "Truth A". The official, only valid truth. Jim sits alone in a bare, cold interrogation room. A voice from a croaking loudspeaker mounted to the wall announces the verdict on him. The later court hearing is to take place only as a show trial. The number is mainly an instrumental which becomes more and more oppressive towards the end, leaving the paths of classic Death Metal far behind.
Now we reach the "grande finale" of the album. You have maybe 11 minutes to give yourself oppressive, psyche-gnawing Doom Death? The song never gets fast and explodes in desperate beauty in the second part. Jim has now undergone several brutal torture interrogations and is left to die in a dark, windowless dungeon. He escapes into his thoughts and longs for a little human warmth, but knows that he will die alone. What remains for him is his dignity, which he desperately clings to until his last breath. The song is called "Thoughts On Death".
At the end of 1994, shortly after the completion of the debut album "Enter The Gate", produced by Falk Gruber (Atrocity, Sinister), the band came to an abrupt end. At that time, CEMETERY were under contract with a German label, which filed for bankruptcy and could no longer fulfill its obligations to the bands. In order to avoid the threat of legal disputes, Dani Zizek decided to end the project without further ado.
In 2017, after a break of more than 20 years, CEMETERY was reactivated and was a transatlantic project with members in Los Angeles and Bavaria until 2020. The second album "The Last Day on Earth" was recorded with this line-up by Grammy-nominated producer Paul Fig in Los Angeles. Fig worked with well-known acts as Alice In Chains, The Mars Volta, Trivium, Slipknot, Ghost, Rush, Deftones etc. and is a buddy of the former CEMETERY drummer Dave Ferrara and so the collaboration begun quite easy.
Since 2021, after several line-up changes, a constant line-up has solidified, consisting of band founder Dani Zizek (voc, git), Markus Heilmeier (git), Stefan Hendel (bass) and Tobias Kasper (drums).
Over the years, CEMETERY has developed a very independent and concise style, which could be described as a mix of old school Death, Black and Progressive Metal. (In order not to dilute CEMETERY's style, songwriter Dani Zizek deliberately listens to little to no Death Metal in his private life …)
Although the band likes to be on stage and is always able to implement the high musical level, CEMETERY performances are rare. The simple reason: You don’t let yourself be sold off. For good gig offers at reasonable conditions, however, the band likes to exchange rehearsal room and studio for a stage.
📢 𝗣𝗥 𝗔𝗴𝗲𝗻𝗰𝘆 • 𝐸𝓈𝓉. 2001
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