➤ "… an intense, dark and at the same time detailed work between old school Death, Prog and Doom ... brutal riffs, playful structures, furious depth ... an uncompromising statement for real craftsmanship in extreme Metal ... sophisticated, authentic, apocalyptic …"
(Radio Diabolus)
Action: | CEMETERY |
Title: | Thoughts On Life... And Death |
Base: | Schongau • Germany |
Style: | Old School Death Metal |
Genre: | Death Metal, Progressive Death Metal |
FFO: | Death, Pestilence, early Opeth |
Type: | Full-length |
Format: | CD + Digital |
Label: | Independent |
Distro: | RecordJet |
Release: | Aug. 08, 2025 |
The thrilling story is told from the point of view of a protagonist. Let’s just call him "Jim" and as is usual for a concept album, some musical elements are repeated in different variations.
"Among The Dead", a classic old school Death Metal tune in which Jim perceives a creeping change in society.
"Grief, Anger and Despair": The judicial system judges according to political guidelines. Despair spreads. Accompanied by crazy drumming and string work at the highest level. In the band’s opinion, the most aggressive song on the album.
"Physical Fear". Do you know the feeling of feeling fear as "materialized"? Jim finds out when he is arrested with many others in a deadly street revolt. Musically packed in a sluggish stomper at the beginning, with a sprawling instrumental part in the middle.
"Nothingness" introduces the second part of the album as a short, classically tinged intermezzo. From here it becomes "different". More willing to experiment.
"Lock The Doors To Your Mind": Jim, now imprisoned, doubts his sanity and what has happened. This song contains all the styles that distinguish CEMETERY and is considered the band’s new calling card, so to speak.
It continues with "Believe". Here, Jim is kindly but firmly told in an interrogation that it is time for him to give up his individualism and subordinate himself to the official "truth". Musically ultra fast at the beginning, the piece transitions into a very quiet part to take a breath for what follows.
This is followed by "Truth A". The official, only valid truth. Jim sits alone in a bare, cold interrogation room. A voice from a croaking loudspeaker mounted to the wall announces the verdict on him. The later court hearing is to take place only as a show trial. The number is mainly an instrumental which becomes more and more oppressive towards the end, leaving the paths of classic Death Metal far behind.
Now we reach the "grande finale" of the album. You have maybe 11 minutes to give yourself oppressive, psyche-gnawing Doom Death? The song never gets fast and explodes in desperate beauty in the second part. Jim has now undergone several brutal torture interrogations and is left to die in a dark, windowless dungeon. He escapes into his thoughts and longs for a little human warmth, but knows that he will die alone. What remains for him is his dignity, which he desperately clings to until his last breath. The song is called "Thoughts On Death".
At the end of 1994, shortly after the completion of the debut album "Enter The Gate", produced by Falk Gruber (Atrocity, Sinister), the band came to an abrupt end. At that time, CEMETERY were under contract with a German label, which filed for bankruptcy and could no longer fulfill its obligations to the bands. In order to avoid the threat of legal disputes, Dani Zizek decided to end the project without further ado.
In 2017, after a break of more than 20 years, CEMETERY was reactivated and was a transatlantic project with members in Los Angeles and Bavaria until 2020. The second album "The Last Day on Earth" was recorded with this line-up by Grammy-nominated producer Paul Fig in Los Angeles. Fig worked with well-known acts as Alice In Chains, The Mars Volta, Trivium, Slipknot, Ghost, Rush, Deftones etc. and is a buddy of the former CEMETERY drummer Dave Ferrara and so the collaboration begun quite easy.
Since 2021, after several line-up changes, a constant line-up has solidified, consisting of band founder Dani Zizek (voc, git), Markus Heilmeier (git), Stefan Hendel (bass) and Tobias Kasper (drums).
Over the years, CEMETERY has developed a very independent and concise style, which could be described as a mix of old school Death, Black and Progressive Metal. (In order not to dilute CEMETERY's style, songwriter Dani Zizek deliberately listens to little to no Death Metal in his private life …)
Although the band likes to be on stage and is always able to implement the high musical level, CEMETERY performances are rare. The simple reason: You don’t let yourself be sold off. For good gig offers at reasonable conditions, however, the band likes to exchange rehearsal room and studio for a stage.
📢 𝗣𝗥 𝗔𝗴𝗲𝗻𝗰𝘆
🚀 𝐸𝓈𝓉. 2001
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