Opulent kämpferisch, mitreißend triumphierend

9 / 10
➤ "… a blend of Symphonic Power Metal music with orchestral and theatrical operas to wrap an epic storyline that will make us get carried away in the nuances and emotions in the story it brings … the quality of this EP is better than their previous work, with more mature creation and better production making this album feel more classy and elegant, and getting the band closer to the ranks of high-class bands such as Rhapsody, Powerwolf, Nightwish or Cradle Of Filth …"
(Metal Opera)

➤ "Die neuen Songs der Franzosen knüpfen nahtlos an das aktuelle Album an. Ein Qualitätsverlust ist dabei nicht zu erkennen. Der Gesang ist mal melodisch, mal gegrowlt, und es gibt viele Chöre. Alles ist sehr orchestral, theatralisch und pompös gehalten. Die Band sprüht vor Ideen und kommt mit vielen interessanten, unerwarteten Parts daher, ohne dabei jedoch den Hörer zu überfordern … musikalisch sollten sich vor allem Fans von Powerwolf angesprochen fühlen!"
(Crossfire)

►► Ferrum Fero Ferro Feror • 2023 ◄◄

10 / 10
➤ "… a fantastic album … terrifically atmospheric … sensational … if this was an opera in the popular West End of London, it would be a sold out affair for so many nights …"
(Metal Gods TV)

10 / 10
➤ "One aspect that I really liked about PHOEBUS THE KNIGHT is the way the band draws the listener into the story through the music and captivates them song after song … appropriates the essence of old school Symphonic Metal to create its own style … a sensual, imaginative and dynamic album that takes the listener out of reality and lets them participate in their adventures …"
(La Magia Absalón)

9,5 / 10
➤ "As a reviewer I am seldom lost for words when it comes to a band or their music, however, PHOEBUS THE KNIGHT have left me speechless … what a refreshing change to so many Metal bands … Axel has an operatic Bass voice that literally goes from metal growl to the most entrancing gentle tone and it leaves me with goosebumps … insanely brilliant; it’s Metal Fantasy of the highest order that could be performed in the Royal Opera House or Royal Albert Hall … such an uplifting work …"
(Banshee Entertainment)

4,5 / 5
➤ "... a wonderful musical experience ... the attention is maintained throughout the album thanks to the rich instrumentation and Phoebus' incredibly diverse organ ... if you like concept albums that you can immerse yourself in for hours or days, if you like musical, operatic Symphonic Metal, I highly recommend this surprising and challenging creation!"
(Rattlead HU)

8,5 / 10
➤ "… an album that you should give your attention to … immersive, varied, imaginative and without fault in terms of production … PHOEBUS THE KNIGHT doesn't claim to be an avant-gardist and fully embraces its influences, but absorbs them to allow itself to sound like no one else … well done … are you tired of listening to Rhapsody Of Fire do Dragonforce? Try PHOEBUS out …!"
(Heavylaw)

8 / 10
➤ "… more Symphonic than Power, with predominance of orchestrations. There are several bands that played with orchestras, PHOEBUS THE KNIGHT doesn't need that, orchestra is implied and an important part of the music …"
(Sounds From Apocalypse)

8 / 10
➤ "… combining Power Metal, symphonic music, Melodic Death Metal and gothic atmosphere … the concept and the musical diversity make the band unique … PHOEBUS THE KNIGHT succeeds with its first album: a brilliant future seems promised to this band. In any case, it deserves it!"
(Power Metal France)

8 / 10
➤ "... more traditional Power Metal with a Rhapsody approach ... Phoebus' voice is the big highlight, bigger than anything else in good Hollywood musical fashion ... the effect is strong and takes some getting used to, so it's really a matter of personal appreciation as musically good taste rules and captivates ..."
(World Of Metal)

8 / 10
➤ "... for their first album PHOEBUS THE KNIGHT already do well, thanks to a fully accepted and mastered risk taking ... so yes, we do not get into it easily (that's the goal), but the work to present the band is done ..."
(Seigneurs Du Metal)

8 / 10
➤ "… 'Ferrum Fero Ferro Feror' presents a new color and enlivens the Metal music scene … heroic musical characters with conceptual fantasy enter them into Symphonic Power Metal by combining many other musical elements … immediately highly recommended for fans of Nightwish, Epica, Within Temptation, Powerwolf, Rhapsody Of Fire and Cradle Of Filth …"
(Metal Opera)

7,5 / 10
➤ "... with a touch of Nightwish ... careful orchestrations and guitar riffs ... symphonic melodies that captivate you and keep you in suspense from the first second ... dramatic and epic atmosphere ... strongly influenced by Teutonic Powerwolf ... all elements very well realized ..."
(MetalRock Club)

7 / 10
➤ "… majestätisch … fette Riffs, die richtig gut knallen … zur theatralischen Untermalung gibt es viele Chöre … mit Fokus steht der tiefe, melodische und theatralische Leadgesang von Axel 'Phoebus' De Montalembert, der mich sehr stark an Powerwolf erinnert … die Band sprüht vor Einfallsreichtum und geht sehr abwechslungsreich und detailverliebt vor …"
(Crossfire)

7 / 10
➤ "... a surprising journey through medieval epicness, offering fascinating combinations of symphonies and dramaturgy …"
(Heavy Metal Webzine IT)

3,5 / 5
➤ "… fluent and convincing … characterized … by the baritone voice … excellent instrumental parts … a good Symphonic Power album, suitable both for fans of the likes of Nightwish, but also for those who appreciate Rhapsody … an enjoyable listen …"
(All Around Metal)

➤ "The Phantom Of The Opera! … angenehm schauriges Flair dem man sich nicht entziehen kann … ideenreiches Gitarrenspiel … äußerst opulent … was mich persönlich ab den ersten Tönen fasziniert hat war die Stimme von Phoebus – klar und tief und auch ein bisschen unheimlich … auch für Nicht-Power Metal Fans geeignet, die Freunde von tiefem, ausdrucksvollem Gesang sind …"
(Metalmamas Neuigkeiten)

➤ "… out of the ordinary … no female singer here, no, it's a man … a voice that we could hear in an opera … even if most of the vocals remain clear, the frontman Axel doesn't hesitate to open up to the growl to surprise the audience and to give more consistency to his interpretation … the production has nothing to envy to the greatest prod that this style can know, quite the contrary …"
(Metal In Veins)

➤ "… imposing bass voice … relied on opera traits to be built up … written to be performed as opera pieces … all the symphonic and orchestral movements make sense … a theatric sense of music that leads the band … mixed altogether with a Power Metal sonic mass … love or hate. There’s no between. I love albums like that."
(Metal Addicts)

➤ "… really, really epic, grandiose Symphonic Power Metal … the orchestrations, the symphonic elements are just absolutely incredible … the arrangements are so well thought out … bombastic … very operatic style …"
(Power Metal Ranger)

➤ "… a sensational performance of operatic overtures combined with symphonic Metal majesty to create a masterpiece …"
(Frenzy Fire)

➤ "To go to the conquest of the marvelous world of Symphonic Metal, nothing is more precious than solid guild of experienced knights. When we listen to this first album, it seems obvious that PHOEBUS THE KNIGHT and his knights of Heliopolis are one of the highest calibre."
(Metal Alliance Mag)

➤ "If it is undeniably the epic and symphonic register which dominates, the musical spectrum proves to be very varied … sometimes a venture into a much calmer and more theatrical style … a palette of different ambiances and mixed styles … a solid team of musicians … an impressive first album … the symphonic style should talk a lot to Nightwish or Rhapsody fans …"
(La Grosse Radio)

➤ "… remarkable … the male voice, with very low tones that handles the songs with a great fluency, and a second voice that soars to guttural tones, bring a new vision to this genre … Symphonic Metal, developed with very good skill, with good melodies and a story that is told within the album, so that you almost experience it in the first person … epic, legendary sound, good ballads … lately the French Metal is developing very well and a clear example is this band that gives new connotations to a very hackneyed genre."
(Nada Hay Bajo El Sol)

➤ "'Ferrum Fero Ferro Feror' is an album that surpasses some in terms of theatricality and arrangements … some similarities with Powerwolf , in some ways with The Vision Bleak, in terms of drama, and certainly with our own Rhapsody (whether Of Fire or Turilli/Lione) in terms of the symphonic power of the sound system, and if so you like these references, feel free to give them a listen."
(The Murder Inn)

►► The Last Guardian • 2022 ◄◄

Diese EP besteht aus einem Prolog, der die Geschichte des Kampfes von Phoebus und seinen Gefährten gegen die schreckliche Bestie erzählt. Sie erzählt den Beginn der Französischen Revolution, wie die Bestie die Zwergenstadt Baraz Dûm auf der Insel angreift, um einen Vulkan zur Explosion zu bringen, der schreckliche Auswirkungen auf die Landwirtschaft in Frankreich hat und die Revolution auslöst, wie die Bestie die Menschen manipuliert, um sie während des "Prise de la Bastille" zur Gewalt zu verleiten, wie Phoebus und seine Freunde an der Unterzeichnung der Erklärung der Menschenrechte teilnehmen und schließlich, wie die Bestie eine der wichtigsten Verbündeten des Lichts, die Eiserne Königin, die letzte Wächterin, entführt. All diese Ereignisse werden zu dem führen, was auf dem kommenden Album "Ferrum Fero Ferro Feror" passieren wird.



[ Artwork: Léon Cogniet ]


8 / 10
➤ "A favourite! PHOEBUS THE KNIGHT skilfully manages to use a historical storyline, the French Revolution, and to associate it with an imaginary and fantastic story, putting in duality a troop of knights against a Beast symbolising the evil. It is clever to use the growl and the guttural voice to represent the destruction. The use of a female singer brings an indisputable plus to this band. Adrien's compositional work is effective and captivating. The 5 members have hit hard, undeniably."
(Power Metal France)

8 / 10
➤ "It’s only four songs and it’s still early, but from what you can hear here, we may have a big name in Symphonic Metal."
(World Of Metal)

8 / 10
➤ "… Nightwish meets Dark Tranquillity and it's good!"
(Heavylaw Webzine)

7 / 10
➤ "… orchestrally grandiose …"
(Powerplay)

➤ "Four well-filled tracks, armed with choral forces with stentorian voices full of chest, orchestral flights worthy of the greatest epics, seizing melodies, supported by sharp rhythms; this is what we get by frank shovelfuls in 'The Last Guardian'!"
(Blastpheme)

➤ "… holy moly … not expecting that … absolutely insane … phenomenal … strong, powerful voice … so grand … the true definition of epic … the arrangements … wow … WOW!"
(Power Metal Ranger)

➤ "… magnificent and outstanding …"
(Ben Sebastian - The Sonic Symphonic Podcast)

➤ "… awesome …"
(Moshville)

➤ "… grand and epic … delivers all the emotions both genres, Metal and opera, can deliver the fan …"
(Metal Addicts)

➤ "… explosive … one of the most interesting groups to emerge so far this year … monumental music … enormous depth …"
(Metal Rules)

etc.

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